The beginning and here and now torrent download

Recorded at a free festival in Meanwhile Gardens, London 01 August A fine set showcasing a talented outfit who grew out of the Planet Gong Floating Anarchy movement, and who were the pioneers of the sort of space dub fusion now more associated with Ozric Tentacles and Oresund Space Collective.

Listen out for Jesus invading the stage, Grant Showbiz on the mixing desk and a man with his head stuck in the railings. Reviewer: kkleb - favorite - December 10, Subject: Fake band This really isn't Here and Now, it's the bass player and some mates - Gavin's been there a while but wasn't in the original band, for that matter Keith the bass left the original band for the best part of a year too. He's effectively pissed off all the other original members until he's surrounded by yes-men; he's hijacked the name and guess what?

All the beauty and magic has gone. This is still going on 45 years after the band formed as he drags yet another crew of nobodies around despoiling the good name of the band. It's such a shame that fans get fooled and the magic of the real band. This seems to be an upgrade to the version that has been floating around the internet for years so is well worth grabbing. The band are still alive and well in and still led by Keith The Bass. Its incredibly smooth throughout. Are you prepared to kneel before god?

Vegeta: Don't screw with me I an the Prince of all Saiyans Even if I have to die Innagadadavida wrote: I don't really think it's worth getting worked up about. Very soon we will have our own Wiki. And over time, it will be bigger, better, and more accurate than theirs. We'll have standards. We'll have quality control. We'll have better information. And I'm sure, people will naturally gravitate to it once there is some substance.

The best way to fix the giant cancer that is the DB Wiki is to provide an alternative for those who really want it. Even those who prefer dub names will wind up looking things up on the Kanzenshuu Wiki. Because sooner or later, they're going to need information they know they can trust. It's DBZ as you've partially seen it before!

Did you use Avisynth or some GUI non-linear editor? Dragon Ball Recut is absolutely fantastic and has been my go-to for watching the show ever since. I do wish you were doing Z Recut instead of Kai so that I could have Kikuchi and the original voice acting over anything else, but I can understand not wanting to go to all that effort.

Follow me on Twitter for countless shitposts. I really want to give it a try. Akira Toriyama wrote: Drawing Dragon Ball again reminded me of two things--how much I love it, and how much I never want to do it again. Zephyr wrote: Goodness, they wrote idiotic drivel in a children's cartoon meant to advertise toys!?

For the ninetieth episode in a row!? Somebody stop the presses! We have to voice our concern over these Super important issues! FortuneSSJ wrote: Doesn't matter who wins, people would still complain about power levels. Mark wrote: I can't wait for a future arc of Super where Roshi takes on a resurrected Raditz who achieved Ultra Instinct by watching Goku do it while he was in hell.

Kamiccolo9 wrote: Fair enough, I concede. Sean Schemmel probably has some kind of hidden talent. Maybe he is an expert at Minesweeper. You're right; calling him "talentless" wasn't fair. For example, i could be wrong, but Kid Goku doesn't "propose" to Chi-Chi where he originally does, but he does in a filler that happens before 23rd Tenchaichi Bodukai don't kill me if that's spelled wrong.

Yes, this does involve polishing turds, but it provides lots of choice. Of course, the Z section would be handled differently compared to original DB. On the English dub front, since both DBZ and DBZ Kai have lossless surround sound, i would try fitting in the Kai voice acting wherever possible, only using the original voice acting where necessary for example, manga scenes cut in Kai for no reason, which is mainly a problem with the Saiyan and especially the Boo sagas.

As for the French, Catalan, Galician dubs, the Kai audio would be used most of the time for Saiyan-Cell sagas, and almost all the time for the Boo sagas unless cut manga scenes have no music playing German would use mostly Z footage, using Kai audio either for retained filler scenes or scenes kept in Kai but removed from german Z dub due to French censorship.

Of course, i wouldn't do such a project unless i had a lot of money to burn. Last edited by Danfun64 on Fri Aug 05, am, edited 1 time in total. Jack is just kinda dumb. Note that there is m ore than one paragraph. We arrange weekends away as sm all groups to cut the costs of accom m odation and travel, and to ensure that everyone gets a trustworthy dive buddy.

Finally, add som e sim ple contact details as follows: "To find out m ore, contact Club Secretary Bob Dobalina on 0 7 or em ail bob bubbleunder.

We arrange weekends away as small groups to cut the costs of accommodation and travel and to ensure that everyone gets a trustworthy dive buddy. The im portant thing to focus on at this stage is what the content of your site should com prise, and how it m ight be structured. To use this address, a site visitor w ould need to copy and paste the address into an em ail m essage.

The mailto: prefix tells the brow ser that the link needs to be treated as an em ail address that is, the em ail program should be opened for this link. The content that follow s the mailto: section should be a valid em ail address in the form at username domain.

Add this to the w eb page now , save it, then refresh the view in y our brow ser. Try clicking on the underlined text: it should open y our em ail program autom atically , and display an em ail form in w hich the To: address is already com pleted. This is useful for blind visitors to your site, search engines, and users of slow Internet connections. Go and grab divers-circle. The im age is shown below. Open index. It should look like the display shown below.

Addin g St r u ct u r e Paragraphs? No problem. But what on earth is a div? A div is used to divide up a web page and, in doing so, to provide a definite structure that can be used to great effect when com bined with CSS. When you place content inside a div , it has no effect on the styling of the text it contains, except for the fact that it adds a break before and after the contained text. Unlike a p elem ent, the div does not add any m argins or padding. This really is a golden rule.

These are listed below. Rem em ber that attribute nam es should be written in lowercase, and their values should be contained within quotation m arks.

Im portant: No Sharing id s id attributes are used in XHTML to uniquely identify elem ents, so no tw o elem ents should share the sam e id value. N o t e : h1 , header , a n d head An id attribute set to header should not be confused w ith headings on the page h1 , h2 , and so on ; nor is it the sam e as the head of y our HTML page. In the snippet below, that section has been changed to a div with an id attribute: Exam ple 2. This is called nesting.

Nesting elem ents can help to logically group sections of a web page together, just as you m ight do in the real world by placing a selection of sm all boxes containing sim ilar item s inside a larger box. Indenting y our code can help resolve problem s later, as y ou can m ore clearly see w hich item s sit inside other item s.

It does not affect how the brow ser interprets or display s the w eb page. Notice that, in the m arkup above, com m ents appear after som e of the closing div tags. These com m ents are optional, but again, com m enting is a good habit to get into as it helps you fix problem s later.

Adding som e com m ents here and there can really help you debug later. Save it as index. Got that file ready? First, m ake two copies of the file: Click on the index. Repeat the process once m ore. You should now have three HTML files in the folder that holds your web site files.

The index. Renam e one file as contact. Renam e the other one as about. If y our filenam e appears as just index in W indow s Explorer, y our sy stem is currently set up to hide extensions for files that W indow s recognizes.

To m ake the extensions visible, follow these sim ple steps: 1. Launch W indow s Explorer. Select the Vie w tab. Opening a file in TextEdit is a sim ilar process. In your text editor, open each page in turn and edit them as follows rem em bering to save your changes to each before you open the next file : index. Now, each of the three files contains the content that suits its respective filenam e, but a further change is required for the two newly created files.

Open about. Next, open contact. If everything has gone to plan, you should have three files nam ed index. The m arkup for each should be as follows: index. Try for yourself: open index. How will you get from one page to another? To enable site visitors to m ove around, we need to add navigation.

Navigation relies on anchors, which are m ore com m only referred to as links. The a elem ent contains the link text that will be clicked which, by default, appears on the screen as blue, underlined text.

Our navigation is just a list of three links. A good position would be just after the header has finished, before the m ain body content starts. In the code below, the navigation block appears in position on the hom epage: index. Add the block of links to contact. It should be possible to flick between all three pages.

Th e blockquote W h o Sa id Th a t? Here are the lines: " Happiness is a dip in t he ocean followed by a pint or t wo of Old Speckled Hen. You can quot e m e on t hat! You can quote me on that! N o t e : D is p la y in g blockquote s In m ost brow sers, y our use of blockquote w ill see the quoted text indented in the page display. On the flip side, y ou should never use the blockquote elem ent for the purposes of indenting text.

This is very poor form. Only use blockquote for its intended purpose: to present a quotation. There are other, better w ay s to create visual indentations, nam ely CSS. One way is to use the cite elem ent. A citation, by default, will style the text in italics.

And when they came home they'd find me sitting on the sofa, drinking beer and watching TV soaps. If you can im agine yourself adding som e kind of inflection as you say a word, then em phasis is probably what you need. By default, adding em will style text in italics, while using strong m akes the text bold. You can com bine the two if you want, but usually, one or the other will suffice.

The exam ples below should help you understand what these elem ents are used for. The figure below shows how they appear in the browser. Well, this is just an excuse for a headline pun. We have one m ore elem ent to look at: the break elem ent. The break elem ent br basically replicates what happens when you hit the carriage return on an old typewriter. Be careful in y our use of br.

But, som ehow, despite all your efforts, the web pages are still looking a little on the bland side. Addin g Som e St yle Earlier in this article, we stepped through the process of setting up your com puter so that we could develop web sites, and pulled together the beginnings of a web site with which you could im press your friends and fam ily.

What have you done wrong? The answer is: nothing. J ust let them see what you can do with this rolling shell! CSS is a language that allows you to change the appearance of elem ents on the page: the size, style, and color of text, background colors, border styles and colors—even the position of elem ents on the page.

The style attribute can contain one or m ore declarations between its quotation m arks. A declaration is m ade up of two parts: a property , and a value for that property. In the exam ple above, the declaration is color: red color being the property and red being its value. If you wanted to, you could add another declaration to the exam ple above. For instance, as well as having the text display in red, you m ight want it to appear in a bold typeface. You could carry on adding styles in this way, but beware, this approach can be m essy.

Addin g I n lin e St yle s Open about. Refer to the previous exam ple as you create the style. Does the m arkup for your paragraph look like this? It should appear like the page shown below.

You can do this using a span elem ent, which can be wrapped around any content you like. Unlike p , which m eans paragraph, or blockquote , which signifies a quotation, span has no m eaning. A span is little m ore than a tool for highlighting the start and end of a section to which you want to apply a style.

Em bedded sty le sheets are a logical step up. An em bedded sty le sheet is a section you add to the start of a web page that sets out all the styles that will be used on that page.

The selector instructs the browser to apply all the declarations between the curly braces to certain elem ents. For this reason, an em bedded style sheet is a m arked im provem ent over inline styles. But what if you have a web site that com prises m any pages? If you want to m ake your changes across the whole site, using em bedded style sheets in the way I dem onstrated above is still not quite the perfect solution.

The best solution is to use an external style sheet. Every page needed 20 or m ore different tweaks, and each tweak had to be applied consistently to every page of the site. Inevitably, som e pages were m issed and eventually the redesign plan was uncerem oniously dropped. In short, the ugly web site rem ained ugly for a whole lot longer before dying a nasty death through sheer negligence indeed, there are m any such legacy docum ents littered around the Web today.

This need not be the case though. CSS gives you the power to set styling rules in one place. When you want to m ake changes to your web site, you m ake changes in that one place, and your whole web site changes autom atically to reflect those new styles. Happy Days!

CSS Support Is Here The good news is that the large m ajority of web browsers in use today offer excellent support for CSS though this has not always been the case, which is why som e people were slow to adopt CSS-based design in the past.

Som e browsers can choke on a few of the m ore advanced CSS techniques, but, by and large, you can style your web pages using CSS and be confident that what you see on your screen is the sam e view that Open your text editor and enter the following: style1. Note that the first few lines we typed into our CSS file will not actually do anything. Above, we used the com m ent sim ply to m ake a note about the purpose of the file, nam ely that it is the CSS for the Bubble Under site.

To do this, you need to add a link elem ent to the head of each and every web page that will be styled using CSS. Our site contains just three pages at the m om ent, so this will be nice and easy. The link elem ent sim ply links a file to the page on which the elem ent appears; in this case, the linked file is a style sheet.

The href attribute tells the web browser where the style sheet file style1. You should always include these im portant attributes when linking to a. Em pty Elem ent Alert! The link elem ent is another of those special em pty elem ents we discussed earlier in this article: it does not have separate start and end tags. Then, try opening each one in your web browser. All of your paragraphs should now display in bold, blue text.

If you change the color specified in your. Go ahead, give it a try. All we need to do is set som e styles. The nature of the way in which CSS is applied m eans that every elem ent contained in the body elem ent will take on the sam e font unless another font is specified for a given elem ent or elem ents within body —but m ore on that a little later.

Great: Verdana it is! Failing that, please try using Helvetica and, failing that, Arial. If none of the above are installed, just use whatever sans-serif font is available. Type the above CSS into style1. Save the file, then open the hom epage index. If everything went to plan, your web page all three of them , actually should display slightly differently than they did before. The figure below shows the appearance of our newly-styled hom epage. N ote that w hen y ou refer to a sans-serif font in CSS, y ou m ust hy phenate the tw o w ords, i.

In your text editor, add the following to style1. All the first -level headings now display in the Trebuchet MS font, while everything else displays in Verdana. If y ou have saved the altered file, check that y ou ty ped the CSS exactly as described. If y ou did, y ou m ay be experiencing a caching problem w ith y our brow ser.

Caching is w hen y our brow ser accesses files previously saved to the hard drive w hen y ou visit a given w eb page, rather than dow nloading new files each tim e.

For exam ple, y ou enter the URL, and the brow ser pulls the page stored in its cache. This speeds up the process of display ing a w eb page that has been loaded before.

Unfortunately , y our cache can soon becom e out-of -date, and w hen that happens, the page y ou visit m ight not display the m ost recent data.

This happens m ost frequently w ith im ages, but it can also occur using CSS files. Therefore, the am ount of space the cache takes up on y our hard disk before cached content is replaced w ith new er data can be adjusted.

Copy the CSS below into your style1. One is to use recognized color nam es such as navy , blue , red , yellow , and so on. These are easy to rem em ber and spell, but you can be lim ited by the range.